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Obama signs sequester bill

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Barack Obama (AFP Photo / Saul Loeb)
Barack Obama (AFP Photo / Saul Loeb)

Austerity has hit the United States as President Barack Obama signed into law a directive ushering in significant cuts to federal agencies’ budgets and triggering the sequester that has been debated in Washington during the last several weeks.

In the White House on Friday, President Obama inked his name to the order, and with it signed off on automatic budget cuts that the country’s political class say will save the United States over $1 trillion over the course of the next decade. In doing so, though, $85 billion will be erased from this year’s budget and a number of government departments will see their funding slashed immediately.

Through the sequester deal, roughly half of all cuts will be imposed on the Pentagon, drastically reducing funding for America’s defense. While uniformed personnel are protected from the directive, civilian employees and contractors across the world will be faced with layoffs and furloughs. The Department of Defense has already published a plan explaining who exactly will be impacted, and at its worst it could mean roughly $500 billion dollars cut from the Pentagon during the next decade.

The second half of all cuts triggered by the sequester will be implemented on domestic non-military spending. While crucially important programs like Social Security are exempt from the changes, practically all federal departments and agencies will face some degree of slashed funding. The Departments of Education, Agriculture and dozens of other agencies will see serious changes during the coming days, weeks, months and years. Many have already announced that the order will bring dire consequences. The Department of Transportation, for example, has warned that budget cuts might affect its ability to control air traffic; cuts to the Department of Homeland Security will mean longer lines at international borders and airports due to personnel layoffs. Rollbacks on education are expected to cause as many as 40,000 jobs to disappear nationwide, and more than half of a million women and children across the US will no longer have access to food aid due to reductions in the Women, Infants and Children program.

With the sequester deal essentially effecting each sector and every US resident alike, lawmakers in Washington have hoped to find another solution for solving the country’s ever-increasing economic woes. During an address from the White House Friday morning, though, Obama blamed Congress for not being able to prevent the cuts.

What I can’t do is force Congress to do the right thing,” said the president. “The American people may have the capacity to do that, but in the absence of a decision on the part of the speaker of the House and others . . . we are going to have these cuts in place.”

The Obama administration has come under fire as of late for blaming the sequester deal on House Republicans. “The sequester is not something that I’ve proposed. It is something that Congress has proposed,” the president said last year. By some reports, though, the budget cuts were brought to the table by White House officials during the president’s first term in office. A bipartisan commission chaired by former Sen. Alan Simpson (R-Wyoming) and former Clinton White House Chief of Staff Erskine Bowles offered a way to cut America’s ever-growing deficit. Under this proposal, Congress and the president would have to both raise taxes and cut spending across the board. Knowing that neither party was willing to agree on these measures, lawmakers and Obama agreed on a law that would trigger automatic cuts beginning March 1, 2013, unless a deal could not otherwise be reached. Back then, it was seen as a sword of Damocles that would prompt action from either party.

Nobody who ‘agreed’ to sequestration actually wanted it to happen,” reports Molly Ball of The Atlantic. “The super committee was supposed to forge the deal that Obama and House Speaker John Boehner could not in their July 2011 debt-ceiling talks. It was this hypothetical future deficit reduction that got Republicans, grudgingly, to agree to raise the debt limit,” she says.

As time passed, though, the lawmakers that agreed to make the sequester an option stopped searching for other solutions. A failure to find a compromise between lawmakers on the Hill left the spending cuts scheduled for March 1 inevitable, and as the clock wound down on Friday the only option left was to slash the budget.

“In the end, nobody could agree, and nobody took the deadline very seriously anyway,” adds Ball.

While the sequester officially starts today following President Obama’s signature on the directive, most government agencies won’t feel the pinch until later in the year. Many departments have already published their plans for handling the crisis, including outlines of how spending will be conducted during the coming months. But with funds drying up quickly and a further deal reversing the sequestering uncertain, the impact of the cuts are likely to only increase over time.

Comedy Hi-Jinks British Style On Stage At Pasadena Playhouse

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film Critic

It may not be “Downton Abbey” but the British comedy of manners “Fallen Angels”, currently on stage at the venerable Pasadena Playhouse, honors the sophistication and style of playwright, director, actor, composer, and all round Renaissance man, Noel Coward. Coward was arguably one of England’s finest playwrights in his day.

Katie MacNichol and Pamela J. Gray in Noel Coward's "Fallen Angels" at The Pasadena Playhouse. Photo: Jim Cox.
Katie MacNichol and Pamela J. Gray in Noel Coward’s “Fallen Angels” at The Pasadena Playhouse. Photo: Jim Cox.

The Pasadena Playhouse has a long and pleasant association with the plays of Coward. Twelve of his plays beginning with “Hay Fever” in 1926, “Star Quality” in 2003, and now with “Fallen Angels”, have been seen on its stage.  Director Art Manke, is a bit of a Renaissance man himself.  He is a well-known creative and talented director to Los Angeles audiences, as well as to Regional Theatres throughout the country.  He is also somewhat of a Noel Coward scholar, so to speak.

When playwrights know and understand the soul and culture of their subjects, the play is enriched ten-fold.  Coward was a writer who knew his culture, his history and his countrymen. Regardless of England’s class-conscious society, Coward’s characters, problems, and their dreams had an appeal that crossed all cultures. His plays and films were understood and appreciated by millions.  He could create sophisticated and brittle drawing room comedies like “Present Laughter”, and “Blithe Spirit”, to poignant and tender plays like “This Happy Breed”, and “Brief Encounter”, just two of many of his plays that have been made into movies.  During WW II, his enduring drama “In Which We Serve”, was a highly successful film whose characters demonstrated the gritty, English mind-set and discipline when it came to surviving the German Blitz of London, and was also instrumental in building support for its war effort here in the USA.

Pamela J. Gray, Mary-Pat Green and Mike Ryan in Noel Coward's "Fallen Angels" at The Pasadena Playhouse. Photo: Jim Cox.
Pamela J. Gray, Mary-Pat Green and Mike Ryan in Noel Coward’s “Fallen Angels” at The Pasadena Playhouse. Photo: Jim Cox.

Manke’s production of “Fallen Angels” is a delightful comedy romp thanks to its three female stars:  Pamela J. Gray, Katie Macnichol, and Mary-Pat Green.  The ladies of “Fallen Angels” are ably supported and abetted by male actors: Loren Lester, Mike Ryan, and Elijah Alexander.  The company, are all Yanks, but carry off the “veddy British” dialogue with aplomb and the proper amount of refined dignity and a sense of the absurd.

Macnichol as Jane Banbury, in particular, delivers the more energetic and animated performance of the three ladies but she never crosses the line (although she comes devilishly close) into outright farce.  Gray as Julia Sterroll, has the unenviable plot part role, which doesn’t allow for a lot of acting pyrotechnics, however, Gray’s next day hangover scene was spot on in its verisimilitude.  I had the urge to reach for three aspirin myself.  Green as Saunders the Maid, gets to toss her zingers into the performance mix with a wink and a shrug, and a lot of nice stage business.

Loren Lester and Mike Ryan in Noel Coward's "Fallen Angels" at The Pasadena Playhouse. Photo: Jim Cox.
Loren Lester and Mike Ryan in Noel Coward’s “Fallen Angels” at The Pasadena Playhouse. Photo: Jim Cox.

Lester (Willy Banbury), Ryan (Fred Sterroll), and Alexander (Maurice Duclos) have their moments as well, but the play belongs to the ladies.

When it comes to the technical credits the Pasadena Playhouse has few equals.  It can stage anything.  Manke’s creative team led by Set Designer Tom Buderwitz, provides a nice, wide-open playing area which allows the actors the space they need to deliver their magic.  Peter Maradudin’s lighting design compliments the costume designs of David K. Mickelsen, and Dialogue Coach David Nevell, deserves kudos for prepping and keeping the actors on their “accent-toes” (they’re all Yanks remember).

It’s good to see that Artistic Director Sheldon Epps has the Pasadena Playhouse back on  course after navigating the rocky shoals of financial woes that plagued one of the country’s finest Regional theatres a couple of seasons back.

Up next at the Playhouse is “One Night With Janis Joplin”, a musical tribute to the late singer, which opens on March 15th.  Go online to www.pasadenaplayhouse.org for reservations and ticket information.

One Flew Over the Cuckoo’s Nest

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JNSK2821_webCollege of the Desert Theatre Arts presents

One Flew Over the Cuckoo’s Nest

by Dale Wasserman

Adapted from the novel by Ken Kesey

Produced in association with Samuel French, Inc.

Friday, March 15th & Saturday, March 16th at 7:00 pm / Sunday, March 17th at 2 pm

Friday, March 22nd & Saturday, March 23rd at 7:00 pm / Sunday, March 24th, at 2 pm

Location: “The Pollock Theater” on the campus of College of the Desert

Tickets: $15 Adults / $13 for Students & Seniors / $10.00 for Groups of 10 or More

(Palm Desert, CA) – A charming anti-authoritarian criminal, Randle P. McMurphy, is transferred to a mental institution for evaluation.  Although he does not show any signs of mental illness, he contrives a plan to avoid hard labor and serve the rest of his sentence in a more relaxed hospital environment rather than in a prison.  McMurphy’s ward is run by steely, unyielding Nurse Mildred Ratched, who employs subtle humiliation, unpleasant medical treatments and a mind-numbing daily routine to suppress the patients. Upon McMurphy’s arrival he finds the patients are more fearful of Ratched than they are focused on becoming functional in the outside world.  McMurphy, determined to prove to the other patients they can make it on the outside, and Nurse Ratched find themselves in a battle of wills to see who will “crack” first.

This production is the winner of the 2001 Outer Critics Circle Award and Tony Award for Outstanding Revival in 2001.  The New York Times has proclaimed One Flew Over the Cuckoo’s Nest is “one of the finest, most meaningful and most moving plays of recent times.  It is the stuff of great theatre; brilliant and powerful.”

“This is an iconic story that has found success as a novel, stage production, and a film.  It has touched the hearts and minds of audience members and readers for 50 years”, says C.O.D. Assistant Professor of Theatre and director Tres Dean.  “The play is a powerful commentary on the institutional process and the fragility and strength of the human mind.  It is also serves as a critique of behaviorism and humanistic principles.”

The talented ensemble cast consists of current C.O.D. students and alumni Jennifer Kiehl, Shawn Abramowitz, Johnny Bolth, Anthony Gomez, Lance Phillips-Martinez, Rick St. Claire, Ramon Martinez, Briana Taylor, Miranda Hane, Todd Silverberg, Pedro Mora, Paul Mackey, Paulette Bartlett, Nina Charming, Chad Arnold, Matthew Reyes, Chirs Moody, Brieana Holguin, and local resident performer Gazpar Ascencio.  The scenic / props designer is Diamond Braverman.  The costume designer is Jennifer Kiehl.  Lights and sound are designed by J.W. Layne.  The music design is conceived by Noemi Villela Dean.  The make-up and hair design is by Lynda Shaeps.

For ticket information and reservations, please call 760-773-2565.  Tickets are also available at the College of the Desert Bookstore and on-line at www.ticketleap.com.

12Th Annual Native American Film Festival Begins

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film Critic

The Agua Caliente Cultural Museum presents its 12th Annual Native American Film Festival on February 27, 2013 and will screen the first of fifteen films to be screened at the Festival Host theatre, the Camelot Theatres of Palm Springs.

All of the films have a direct connection to Native American or Indigenous people and their culture.  All films screened at the festival have either been made by Native American or Indigenous filmmakers, actors, writers, producers, and/or technical experts from around the world.

I had an opportunity to spend some time with Executive Director of the Agua Caliente Cultural Museum Michael Hammond, who is also the Festival Director and programmer along with Guest Programmer Elizabeth Weatherford.  Weatherford is the Founder and Director of the Smithsonian National Museum of the American Indian.  She will be on hand to facilitate the Q & A sessions and conversations with filmmakers in attendance after the screening of their respective films.

JL:       Michael you have fifteen films in this festival.  Can you remember how many films were screened in that first festival back 2001?

Michael Hammond:  I most certainly can … just one!

JL:      Now for the toughie… What was the name of the movie?

MH:    That’s easy.  “Smoke Signals”, directed by Chris Eyre.

JL:       I’m impressed.  I thought I might have slipped one past you (Michael smiles).    How do you and Ms. Weatherford arrive at selecting entries?  Is there a criteria?

MH:    Yes.  We stick to the Mission Statement.  All entries have to be connected someway with Native American or Indigenous culture… filmmaker, actor writer, etc.  The subject matter, however, is left up to the filmmaker.

JL:      You mentioned the film “Smoke Signals”, a moment ago.  Isn’t the filmmaker of that film, back 12 years ago, receiving a special award at this year’s festival?  Tell us about that.

Chris Eyre, Native American filmmaker and director
Chris Eyre, Native American filmmaker and director

MH:     Yes. Filmmaker and educator Chris Eyre, a member of the Cheyenne and Arapaho Nations of Oklahoma, is a festival participant.   People magazine named him “the preeminent filmmaker of his time”.  Chris will become the first recipient of the Richard M. Milanovich Award for Distinguished Contributions to Indigenous Film.  We are so pleased to have Chris Eyre be that first recipient of the award named for the late Chairman of the Agua Caliente Band of Cahuilla Indians.  We have two of Chris’ films in this year’s festival.

JL:       Tell us a little about the film that opening night attendees will see.

MH:     Sure, the film is called  “Pathfinder – Ofelas”.  It’s a Norwegian film directed by Sami filmmaker Nils Gaup, that is the first Sami-language feature film.  The story is based on a Norwegian legend that dates back 1,000 years.  It tells of a young man who leads his people in a fight against a brutal band of plunderers and vividly depicts ancient Sami life in the harsh climate of a people who live near the Arctic Circle.  It’s a fascinating and compelling wilderness story of survival.

JL:       It sounds fascinating.  Sort of a wild-west survival story.

MH:     Exactly.

JL:       But instead it takes place in the frozen north.

MH:     Another film in our festival is called “Mesnak”.  It’s an amazing piece of work.  It’s based on “Hamlet” and is directed by Canadian Yves Sioui Durand, of the Huron-Wendat Nation.

JL:      Michael, I look forward to seeing both film this week, and I want to thank you for your time today, especially with the Festival coming up this week.  It’s appreciated.

MH:     My pleasure.

The film that opens the Palm Springs-based, Native American Film Festival “Pathfinder – Ofelas”, is a beautifully photographed and technically proficient movie.  Set in the actual location of the Sami people of Northern Norway, the movie depicts a lifestyle of village hardship, mainly due to its climate.  Obviously filmed during their severe winter months, one can literally feel and almost taste the bitter cold environment the small band of villagers must endure just to stay alive.

In this rugged mountainous area, the villagers also must endure attacks from the Tchudes, a band of marauding plunderers bent on stealing, killing, and destroying as their way of life. The young hero, later to become a legend to his people, leads the Tchudes into the mountains and foils their village raiding plans.  The story is somewhat simplistic, as all tales of legends and myths, must be.  Oral histories are replete with handed-down narratives and tales, however, they are nonetheless the stuff of heroism and sacrifice becoming the basis and the touchstones of Sami cultural pride for generations to come.

There are scenes of violence and brutality.  After all the filmmaker is capturing rural life in the Dark Ages, but there is also a sense of the poetic in the manner in which director Gaup frames his story and his movie.

One thing I know for sure.  The “Pathfinder – Ofelas” film experience was almost too realistically visceral. (Brrrr!)  I’m glad that after the conclusion, I have the good fortune of being able to step outside the theatre and into the warm and inviting climate of Palm Springs.  But then again, that’s a compliment to the filmmaker’s intent.

The Native American Film Festival runs through March 3rd.  All screenings are at the Camelot Theatres in Palm Springs, California.

The 25th Frank Sinatra Back Tie Gala at Fantasy Springs Resort Casino

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Story and photos by Pat Krause
Story and photos by Pat Krause

The 25th Frank Sinatra Celebrity Invitational Black Tie Gala was held on Feb. 23rd at Fantasy Springs Resort Casino Spa Events Center. The Sinatra Celebrity Invitational was presented again by Starkey Hearing Technologies and they have sponsored this event many times before.The event was hosted by Fantasy Springs for the last four years.

The Gala awarded the winners of the golf tournaments. 1st place went to Willie Gaults team on Friday and a tie for 1st on Saturday was the Grant Fuhr and Rollie Fingers teams. Barbara Sinatra Children’s Center President Helene Galen and director John Thoreson gave awards to many others for the support of the Children’s Center including co-chair Ken Venturi and Bill and Tani Austin from the Starkey Hearing Foundation.

Tom Dreesen, a long time friend of Barbara and Frank Sinatra, has been the Emcee for all 25 years of the event. He tells of how he was asked by Frank Sinatra to help him start a golf tournament to raise money for the Barbara Sinatra Children’s Center. Barbara Sinatra tells of how it started as Frank’s little party in the Desert and has grown to the huge event it is today. Many of the celebrities and guests have been coming to this event for many years to support Barbara Sinatra and her cause.

Speakers told of how the Children’s Center has helped over 18,000 children over the years. One recent heart breaking story was when a 6 month old sexually abused child was brought to the center. Each client is helped regardless of the ability to play. Doctors, therapists and staff are all totally dedicated to this organization to help sexually, physically and emotionally abused children.

Frankie Valli was the much anticipated Gala headliner. Frankie Valli became famous as the lead singer for the group, The Four Seasons. He sang a lot of the songs he made famous during his career. He made a new album, Romancing the 60’s, because he said that who could make love to a lot of the music of today. He tours continuously and held a concert on Sunday Feb.24th at Fantasy Springs Casino Events Center.

Angel View Annual Luncheon at the Doral Hotel in Palm Springs.

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Story and photos by Pat Krause
Story and photos by Pat Krause

Angel View held its Annual Luncheon to honor several people on Monday Feb. 18th at the Doral Hotel in Palm Springs. Guests arrived to a silent auction and raffle in the lobby. Vendors had items like clothing, jewelry, salsa, accessories and furs for sale.

Raffle tickets were sold for huge baskets of goodies. Photos were taken in front of a Angel View backdrop. Pianist Bill Marx played as guests arrived in the luncheon area.

Angel View’s Executive Director, Dave Thornton, along with Executive Board Member and long time supporter, Dr. Martin Russell got on the stage to give out awards. THe first award went to Melissa Acosta as winner of the Bobbe Patmore Employee of the Year for Excellence Award. The next award was the Jackie Lee Houston Angel View Client of the year and that award was given to client Joel Grossberg.

Desert Hot Springs City Manager, Rick Daniels, gave a glowing tribute to 2013 Angel of the Year, Mayor Yvonne Parks. He gave a list of her credits of her lifetime of service. Parks mentioned that there were 9 mayors in the valley and that 5 were women. Women Rule she said as she named the Mayors that were in the audience.

2012 Angel of the Year, Ruta Lee presented the awards to the women.

Event Coordinator DeAnn Lubell was the presenter of the 2013 Angel of the Year to Angel View Auxiliary President Terry Roby. DeAnn is a long time friend to Roby and told of many accomplishments for charities. Entertainement was provided by local singer Frank DiSalvo.

Angel View President Mel Haber was Master of Ceremonies. Haber told of a new service, Angel View Outreach Program. He said many had written letters thanking Angel View Outreach for all their help.

Lee Ames, Elaine Church and Jeff Jones read the letters to the guests on stage. Letters thanking Angel View and telling of the problems they had faced alone before Angel View helped them.

Angel View’s overall mission is to help children and adults with disabilities for the last 60 years. Angel View has 19-6 bed homes with 24 hour care.There is a day care center in Desert Hot Springs and a Camp in Joshua Tree. Angel View earns money also from the many thrift stores in the Valley.