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YOU MAKE ME LAUGH! A Love Song To Gilda Radner

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Francesca High Res Photo (1)-webRancho Mirage, CA – Desert Rose Productions, Inc. will present popular vocalist Francesca Amari

in YOU MAKE ME LAUGH!  A Love Song To Gilda Radner, on March 24, 2013, at The Commissary in Rancho Mirage to celebrate National “March is Cabaret” Month.

YOU MAKE ME LAUGH!  is a musical biography of the brilliant comedienne, Gilda Radner…her life, her loves, her peeves, her rise to stardom, her marriage to Gene Wilder, and her brave battle with cancer…all lovingly and laughingly told through song and Gilda’s own words. The music is a mixture of songs from the Great American Songbook, Broadway, the Cabaret world, and even includes some Country Music selections.

Francesca Amari is a very talented songstress who has performed on concert stages and in theatres throughout the USA – from New York to Chicago to San Diego and Los Angeles. She is a well-known Desert performer who can often be seen onstage in cabaret acts throughout the Valley. She has performed with Musical Chairs; sang onstage at the Arthur Newman Theatre in Palm Desert; performs regularly at Azul and Studio One11; and was a finalist in Voice of the Valley. She also tours with her Midwest-based vocal trio, “The Boogie Woogie Babies”.

Tickets for YOU MAKE ME LAUGH! A Love Song To Gilda Radner are $25, and can be ordered online at http://www.desertroseplayhouse.org  www.desertroseplayhouse.org or by calling 760-202-3000.  A portion of the proceeds from YOU MAKE ME LAUGH!  will benefit Gilda’s Club Desert Cities and Desert Rose Productions, the Coachella Valley’s LGBT and Gay-Positive Stage Theater Company.

Calendar:

YOU MAKE ME LAUGH! A Love Song To Gilda Radner – Presented by Desert Rose Productions

Where:     The Commissary, 69620 Highway 111, Rancho Mirage, CA 92270

When: March 24, 2013 @ 2 PM

Tickets:    $25.00; order online at  http://www.desertorseplayhouse.org www.desertorseplayhouse.org or by phone 760-202-3000

Coyote Stageworks Musical Rocks At Annenberg Theatre

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film Critic

If you have a hankering for the music and the nostalgia of the 60s, then the stage of the Annenberg Theatre, in Palm Springs, has to be the place for you this week.  The songs and the cultural touchstones that baby-boomers fondly remember is brilliantly and faithfully recreated in the Coyote StageWorks musical production “SUDS: The Rocking 60s Musical Soap Opera”.  Created by co-authors Melida Gilb, Steve Gunderson, and Bryan Scott this extremely entertaining and creatively directed show by David Engel, is a veritable walk down memory lane that is not to be missed.

aberg-suds-thumb-web “SUDS” is a sweet and tender look backward in time when America was a gentler and kinder society.  Gilb and Gunderson are writers who always infuse a great sense of comedy and poignancy into their characters and to their stage productions.  They also wrote “The Great American Trailer Park Musical” which I saw two years ago at San Diego Repertory Theatre.

The Coyote StageWorks production now at the Annenberg Theatre in Palm Springs, directed by the very talented actor/director David Engel, faithfully recreates the era of the 1960’s thanks to the brilliant performances of its four cast members, and the songs that transport the audience back in time when life was a heck of lot simpler.  The baby-boomer generation was not only struggling to find love, but also trying to find its way in a changing world.  The songs of:  Burt Bacharach; John Lennon; Paul McCartney; Johnny Rivers; Otis Redding; and even Sandra Dee; among many, many other blockbusting songs from that era provide the fuel that drives this high-octane production.  The stage literally jumps with the toe-tapping rhythms and songs that are chock full of such memory favorites from Dusty Springfield, The Supremes, Dionne Warwick, Aretha Franklin, and Jack Jones, and many, many others.

SUDS-Sam-Larry-web “SUDS”: The Rocking 60’s Musical Soap Opera” is blessed with four absolutely first- rate performers:  Samantha Mills as Cindy, a forlorn young woman who works in a neighborhood Laundromat, who believes love will never find her again after being jilted by her pen-pal (I don’t think finding love again is a problem if one looks like Samantha Mills –she’s a knock-out).  Bets Malone as Dee Dee, a guardian angel sent to help Cindy find love again is a pretty snappy number herself.

The absolutely stunning and dynamic singer/actor Gwen Stuart as Marge, a second guardian angel sent to help Cindy, takes command of the stage whenever she’s on it.  Her pitch-perfect voice and vocal style is right out of the 60’s.  If one is a Broadway theatre fan one might recognize Gwen as one the original NY cast members of “Rent” a few years back.  The only male in the cast is multi-talented singer, actor, and dancer Larry Raben.  Raben is a pure delight to watch.  He plays all of the male characters, plus a turn ala Dustin Hoffman in “Tootsie”, that is hilarious and right on the money.

SUDS-1495-Gwen-center-web Coyote StageWorks producer Chuck Yates has come up with another terrific production at their home theatre, The Annenberg.   The set design by Michael Peters almost wishes you had brought your laundry with you to the theatre.  The set is that realistic.  Phil Murphy’s lighting design is correctly set for Full Up.  It’s a show that the audience wants to see and explore and be able to peer into every nook and cranny of that lovely set.  Murphy’s design hit’s the mark, while the ever efficient and reliable Jill Gold performs stage manager duties with her usual skill and expertise.

This production is a winning show that will please the entire family.  If you aren’t tapping your knees and your feet while enjoying this show, then you had better make an appointment to see your doctor – you ain’t alive!

For tickets and reservations – almost all seats to date have been sold-out, but there still are seats available.  “SUDS” closes February 17, 2013.  Call 760-325-4490.

Casting Announced For “Gypsy” At Theatre 29

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gypsy_logo 1Theatre 29 and Directors Gary Daigneault and Ed Will have completed casting for the second production show of the 2013 season. “Gypsy”, called “The greatest American musical” by numerous critics and writers, is based on the memoirs of stripper Gypsy Rose Lee.

“Gypsy” follows the story of Mama Rose, a determined stage mother trying to make her two young daughters famous. At first, she focuses on younger, cuter June. But when June runs off to marry, Rose concentrates on her other daughter, Louise.

The cast includes:
Analisa Pilecki as Mama Rose, Katie VanSumeren as Louise and Marissa Thomas as baby Louise. Richard Ghan is Herbie, Vanessa Walton is Baby June and Lizzie Schmelling adult June. Playing Tulsa is Michael Ghan, with Alex Gomez as Jocko and Mr. Goldstone.

The role of Tessie Tura is played by Charlene Childs, Electra is Patti Brown and Mazeppa is Cindy Daigneault. Cyrus short is Yonkers and Pasty. Cathy Inscore plays Cigar and Mr. Kringeline. Cindy Ross is Miss Cratchitt, Pop is played Ed Manson and Georgie is Malcolm Stanley-Wolfe.

The Toreadorables are Tinkie Hess, Jasmine Shaffer, Nikki Wylie, and Angela Shirley. The farm boys, newsboys, and Uncle Jocko’s kids are Curtis Mohn, Sean “Brisket” Sears, Dennis Mohn, and Spencer Walton. Sheri Flores, Herman Platzke, and Amanda Winters are in multiple supporting roles.

Gary Daigneault is the director, Ed Will the music director, and Mandi Pushkar is the Choreographer. Costumes are by Kathryn Ferguson, the set is designed by Keith Roleff, and Ken Palmer is the lighting designer.

Mike Lipsitz is Stage Manager and Linda Thayer is the assistant stage manager, set artistry is by Jackie Pelfrey. Other backstage roles are filled by Francis Wright, Michael Nanninga, Ed Manson, Tanya Wright, and Robin Schmelling.

“Gypsy” is the ultimate story about an aggressive stage mother. Join Rose, June and Louise in their trip across the United States during the 1920’s, when vaudeville was dying and burlesque was born. Jule Styne’s music and Stephen Sondheim’s lyrics include, “Let Me Entertain You”, “Some People”, “You’ll Never Get Away from Me”, “If Momma Was Married”, “All I Need Is the Girl”, “Everything’s Coming Up Roses”, “You Gotta Get A Gimmick” and “Together Wherever We Go”. “Gypsy” is a gripping story of one of the most frightening aspects of show business.

“Gypsy” will run for twelve performances over five weekends from March 8th, though April 6th, 2013. Performances are at 7:00 pm on Friday and Saturday nights. Two Sunday Matinees will be offered at 2:30 pm on March 17th and 24th.

Tickets for “Gypsy” are available for $12.00 Regular admission, $10.00 for Seniors and Military, and $8.00 for students with ID and children under 12 (The show has some mature themes).

To purchase tickets call the Theatre 29 Box Office at 760-361-4151 or online at <http://www.theatre29.org/>www.theatre29.org.

Theatre 29 is an all-volunteer 501 (c) 3 non-profit Community Theatre organization which operates year round and is located at 73637 Sullivan Road in the City of Twentynine Palms.

Drinking May Improve Ability to Detect Changes

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drinking-and-exerciseNewswise — Moderate intoxication may help a person notice minor changes in a visual scene, researchers at the University of Illinois at Chicago have found.

During tests of “change blindness,” the inability to notice minor changes, intoxicated participants detected as many changes as sober subjects and with shorter response times.

“Both the sober and drunk people find the same number of changes, but drunk people find them faster,” says Jennifer Wiley, professor of psychology at UIC and senior author on the study.

Two experiments comprised the new study, which was published online in the journal Consciousness and Cognition.

First, 48 males were given a baseline task-set to make sure the drinking and non-drinking groups were equal at the outset.

The drinking group then watched an animated movie while consuming vodka and cranberry juice until they reached approximately .08 percent blood alcohol content — legal intoxication. The nondrinking group watched the same movie.

Researchers then challenged each group using a flicker paradigm (going back and forth between two versions of the same image with one small change) in eight rounds of the test. Each round featured an everyday setting, such as a farmers market or an office. Participants had to indicate when they noticed an item change, and identify it.

People typically used one of two strategies, Wiley said.

“As western readers in the U.S., we usually start at the top-left corner and scan back and forth looking for anything that might be changing,” said Wiley, in describing a systematic approach.

An alternative method is not to scan. Rather than focusing attention, the subject waits for the change to “pop out.”

“Our suspicion is that the sober people are using a more systematic, methodical strategy, and the drunk people are waiting for the ‘pop out,'” Wiley said.

A second experiment, using working memory tasks — which require focused attention — proved more difficult for the intoxicated group. These tests require remembering sequences of letters or shapes while performing another task, such as solving a math problem, at the same time.

“These tests require you to go back and forth between two tasks, which means you need to be directing your attention,” Wiley said. “So there is a lot of updating, and a lot of back and forth. Drunk people are less able to do this, and they did 15 to 30 percent worse on these tasks.”

Co-author Gregory Colflesh, now a postdoctoral researcher at the University of Maryland, says the findings “nicely supplement our previous research illustrating that moderate intoxication improved creativity.”

In that study, Wiley, Colflesh, and UIC graduate student Andrew Jarosz found that participants who were slightly under the .08 percent legal limit for blood alcohol outperformed sober subjects in solving word association problems.

Wiley says for some tasks, like change detection and creative problem-solving, “you are sometimes better off not trying to direct yourself to find an answer.”

The study, “Drunk, but not blind: The effects of alcohol intoxication on change blindness,” is at: http://www.sciencedirect.com/science/article/pii/S1053810013000032. The research was funded by a UIC Provost’s Research Award and an American Psychological Association Dissertation Research Award to Colflesh, and a UIC Institute for Health Research & Policy Seed Grant Award to Wiley and her UIC colleague Jon Kassel.

UIC ranks among the nation’s leading research universities and is Chicago’s largest university with 27,500 students, 12,000 faculty and staff, 15 colleges and the state’s major public medical center. A hallmark of the campus is the Great Cities Commitment, through which UIC faculty, students and staff engage with community, corporate, foundation and government partners in hundreds of programs to improve the quality of life in metropolitan areas around the world. For more information about UIC, please visit www.uic.edu.

ADHD Symptoms Persist For Most Young Children Despite Treatment

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ADD-ADHD-BrainNewswise — Nine out of 10 young children with moderate to severe attention-deficit hyperactivity disorder (ADHD) continue to experience serious, often severe symptoms and impairment long after their original diagnoses and, in many cases, despite treatment, according to a federally funded multi-center study led by investigators at Johns Hopkins Children’s Center.

The study, published online Feb. 11 in the Journal of the American Academy of Child & Adolescent Psychiatry, is the largest long-term analysis to date of preschoolers with ADHD, the investigators say, and sheds much-needed light on the natural course of a condition that is being diagnosed at an increasingly earlier age.

“ADHD is becoming a more common diagnosis in early childhood, so understanding how the disorder progresses in this age group is critical,” says lead investigator Mark Riddle, M.D., a pediatric psychiatrist at Johns Hopkins Children’s Center. “We found that ADHD in preschoolers is a chronic and rather persistent condition, one that requires better long-term behavioral and pharmacological treatments than we currently have.”

The study shows that nearly 90 percent of the 186 youngsters followed continued to struggle with ADHD symptoms six years after diagnosis. Children taking ADHD medication had just as severe symptoms as those who were medication-free, the study found.

Children with ADHD, ages 3 to 5, were enrolled in the study, treated for several months, after which they were referred to community pediatricians for ongoing care. Over the next six years, the researchers used detailed reports from parents and teachers to track the children’s behavior, school performance and the frequency and severity of three of ADHD’s hallmark symptoms—inattention, hyperactivity and impulsivity. The children also had full diagnostic workups by the study’s clinicians at the beginning, halfway through and at the end of the research.

Symptom severity scores did not differ significantly between the more than two-thirds of children on medication and those off medication, the study showed. Specifically, 62 percent of children taking anti-ADHD drugs had clinically significant hyperactivity and impulsivity, compared with 58 percent of those not taking medicines. And 65 percent of children on medication had clinically significant inattention, compared with 62 percent of their medication-free counterparts. The investigators caution that it remains unclear whether the lack of medication effectiveness was due to suboptimal drug choice or dosage, poor adherence, medication ineffectiveness per se or some other reason.

“Our study was not designed to answer these questions, but whatever the reason may be, it is worrisome that children with ADHD, even when treated with medication, continue to experience symptoms, and what we need to find out is why that is and how we can do better,” Riddle says.

Children who had oppositional defiant disorder or conduct disorder in addition to ADHD were 30 percent more likely to experience persistent ADHD symptoms six years after diagnosis, compared with children whose sole diagnosis was ADHD.

ADHD is considered a neurobehavioral condition and is marked by inability to concentrate, restlessness, hyperactivity and impulsive behavior. It can have profound and long-lasting effects on a child’s intellectual and emotional development, Riddle says. It can impair learning, academic performance, peer and family relationships and even physical safety. Past research has found that children with ADHD are at higher risk for injuries and hospitalizations.

More than 7 percent of U.S. children are currently treated for ADHD, the investigators say. The annual economic burden of the condition is estimated to be between $36 billion and $52 billion, according to researchers.

Other Johns Hopkins investigators on the research included Elizabeth Kastelic, M.D., and Gayane Yenokyan, Ph.D.

The other institutions involved in the research were Columbia University Medical Center, Duke University, the Nathan Kline Institute, University of California—Irvine and University of California—Los Angeles.

The research was funded by the National Institute of Mental Health under grant numbers: U01 MH60642 (Johns Hopkins), U01MH60848 (Duke University Medical Center), U01MH60943 (New York University Child Study Center), U01MH60903 (Columbia University), U01 MH60833 (University of California–Irvine) and U01H60900 (University of California—Los Angeles).
Related

Journal of the American Academy of Child & Adolescent Psychiatry
http://www.jaacap.com/article/S0890-8567%2812%2900993-8/abstract

Popular ADHD Drug Safe and Effective for Preschoolers
http://www.hopkinschildrens.org/Popular-ADHD-Drug-Safe-and-Effective-for-Pre-Schoolers.aspx

Increasing Prevalence of Parent-Reported Attention-Deficit/Hyperactivity Disorder Among Children — United States, 2003 and 2007
http://www.cdc.gov/mmwr/preview/mmwrhtml/mm5944a3.htm?s_cid=mm5944a3_w

Founded in 1912 as the children’s hospital at Johns Hopkins, the Johns Hopkins Children’s Center offers one of the most comprehensive pediatric medical programs in the country, treating more than 90,000 children each year. Hopkins Children’s is consistently ranked among the top children’s hospitals in the nation. Hopkins Children’s is Maryland’s largest children’s hospital and the only state-designated Trauma Service and Burn Unit for pediatric patients. It has recognized Centers of Excellence in dozens of pediatric subspecialties, including allergy, cardiology, cystic fibrosis, gastroenterology, nephrology, neurology, neurosurgery, oncology, pulmonary, and transplant. For more information, please visit www.hopkinschildrens.org

Researchers Discover Gene That Suppresses Herpesviruses

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Cells infected with the KSHV virus fluoresce yellow. The KSHV virus remains dormant in more than 95 percent of infected patients.
Cells infected with the KSHV virus fluoresce yellow. The KSHV virus remains dormant in more than 95 percent of infected patients.

Newswise — CHAPEL HILL, N.C. – Kaposi’s sarcoma-associated herpesvirus (KSHV) and Epstein-Barr virus (EBV) hide within the worldwide human population. While dormant in the vast majority of those infected, these active herpesviruses can develop into several forms of cancer. In an effort to understand and eventually develop treatments for these viruses, researchers at the University of North Carolina have identified a family of human genes known as Tousled-like kinases (TLKs) that play a key role in the suppression and activation of these viruses.

In a paper published by Cell Host and Microbe on Feb. 13, a research team led by Blossom Damania, PhD, of the Department of Microbiology and Immunology and member of the UNC Lineberger Comprehensive Cancer Center, found that suppressing the TLK enzyme causes the activation of the lytic cycle of both EBV and KSHV. During this active phase, these viruses begin to spread and replicate, and become vulnerable to anti-viral treatments.

“When TLK is present, these viruses stay latent, but when it is absent, these viruses can replicate” said Dr. Damania.

Patrick Dillon, a postdoctoral fellow in Dr. Damania’s lab, led the study. Other co-authors included UNC Lineberger members Drs. Dirk Dittmer, Nancy Raab-Traub and Gary Johnson.

KSHV and EBV are blood-borne viruses that remain dormant in more than 95 percent of those infected, making treatment of these viruses difficult. Both viruses are associated with a number of different lymphomas, sarcomas, and carcinomas, and many patients with suppressed immune systems are at risk for these virus-associated cancers.

“The dormant state of these viruses is what makes it so hard to treat these infections and the cancers associated with these infections,” said Dr. Damania.

Researchers have known that stimuli such as stress can activate the virus from dormancy, but they do not understand the molecular basis of the viral activation cycle. With the discovery of the link between these viruses and TLKs, Dr. Damania said that researchers can begin to look for the molecular actions triggered by events like stress, and how they lead to the suppression of the TLK enzymes.

“What exactly is stress at a molecular level? We don’t really understand it fully,” said Dr. Damania.

With the discovery that TLKs suppresses these viruses, Dr. Damania said that the proteins can now be investigated as a possible drug target for these virus-associated cancers. In its normal function in the cell, TLKs play a role in the maintenance of the genome, repairing DNA and the assembly of the chromatin, but there is a lot more to learn about the function of the TLKs, said Dr. Damania. One avenue of her lab’s future research will investigate how TLKs function in absence of the virus.

“If we prevent this protein from functioning, and we combine this with a drug that inhibits viral replication, then we could have a target to cure the cell of the virus. If the virus isn’t there, the viral-associated cancers aren’t present,” said Dr. Damania.

This research was supported by NIH grants CA096500, CA163217, and CA019014, and the UNC Lineberger training grant NIH T32CA009156. Dr. Damania is a Leukemia & Lymphoma Foundation Scholar and a Burroughs Wellcome Investigator in Infectious Disease.