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Ernest Thompson’s “On Golden Pond” Charms Again At Canoga Park’s West Valley Playhouse

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film Critic

It’s always a pleasure to see an old friend.  “On Golden Pond”, written by Ernest Thompson is a heart-warming comedy and certainly qualifies as an old acquaintance, if not a friend, whom I’ve enjoyed seeing many times over the years both as a play and a movie.

Besides, what’s not to like?  The play was a Tony Nominee and a New York Drama Desk award winner in 1997.  It’s been performed all over the world.  Now the time has come for it to be performed on the stage of the West Valley Playhouse, in Canoga Park (a section of Los Angeles’ San Fernando Valley), a long-time Member of LA Theatre Alliance and Valley Theatre League.

cc23ec63feef04b816d1693a8e3445ab-webThe story unless you’ve been living in a cave over the years is well known.  In short, it’s a tale that focuses on aging couple Ethel Thayer (Esther Rosen) and Norman Thayer (Paul Michael Nieman), who spend each summer at their get-away-home on a lake called Golden Pond.  During the year the story takes place, they are visited by daughter Chelsea (Heather Smith) with her fiancé – later as her husband – Bill Ray (Keith Lewis) and his son Billy, Jr. (Dorion Wilson, the night I attended).

The poignant drama explores the often stormy and prickly relationship Chelsea (Norman and Ethel’s only child), shared with her grumpy and curmudgeonly father growing up, and the difficulties faced by her aging parents in the twilight years of their marriage. The play made into a movie in 1981 had a cast that starred Henry Fonda and real-life daughter Jane Fonda; one of America’s acting family royalty, with the great Katherine Hepburn thrown in for good measure, as Ethel.

Playhouse Artistic Director and Producer Jon Berry, is favorably blessed with a wonderful cast  that convincingly transports the California audience to the cool and inviting woods of Maine – haunting loon calls and all.

Starring as Ethel, is Los Angeles actor Esther Rosen, who brings a fifty-year wealth of acting and directing experience to her performance.  One can really feel her love for both Norman and Chelsea.  She is a worthy facilitator and negotiator between her stubborn daughter and her even more stubborn husband, who would like to extend his love to Chelsea but can’t quite bring himself to do so.  Chelsea too, would like to be accepted by Norman but the distance between them is very wide, however, baby-steps toward closing that gap begin to appear on the horizon in the form of Bill, Sr. and his son Billy.

Starring as Norman is actor-singer and Pierce College administrator Paul Michael Nieman. Nieman and Rosen were last paired as Tevye and Golde in the playhouse’s production of “Fiddler on the Roof” seen last season.  Nieman nicely captures the gruffness and whimsical sense of humor of crusty old Norman; turning him into a likable “old poop”, in spite of himself.

Keith Lewis as Bill, Sr. although briefly on stage, makes the most of it in his scenes with Norman, becoming one of the comedy’s funnier moments in Thompson’s play about family relationships.  Lovely Heather Smith with a 1 million watt smile, but a troubled heart over the distance between her father and herself turns in a finely judged performance as she neatly juggles her character’s mixed emotions.  Young Billy, Jr. portrayed by Dorion Wilson, is a real find when it comes to youngsters that can act, take direction, and deliver a believable performance.  He has a future in the “business” if he chooses to pursue a career as an actor.  Frank Dooley as Charley “Macanolly” Martin, the local postman and family friend, turns in a little gem of a performance in his brief on-stage appearances.

Director Berry and his creative team led by Set Designer Charles Hall provide a woodsy Maine cabin with enough space for the actors to perform their magic and the lights designed by Danny Truxaw paint Hall’s stage with lighting that allow the costumes designed by Don Nelson to be seen and appreciated.

“On Golden Pond” runs through November 2, 2014.  For reservations and ticket information call the box office at 818-884-1907.

St. Joseph Players Present Neil Simon’s “Brighton Beach Memoirs”

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film Critic

St. Joseph Players of Yucca Valley are presenting Neil Simon’s semi-autobiographical nostalgic comedy “Brighton Beach Memoirs”.  It’s one of Neil’s personal favorites even to the point of writing the lead character of Eugene Jerome based directly on his own experiences growing up as a teenager in Brooklyn, NY during the 1930’s and the Great Depression.

The beauty of plays by Simon is that one can always relate to his characters and their situations even when the script shows cracks from the aging process.   One can always find and enjoy the underlying truth of his work which crosses generational, racial, and religious lines.

Cast from left to right (Jack) Leonard Webber, (Eugene) Trevor Carpenter, (Aunt Blanche) Shelly Sheckler, (Nora) Elizabeth Schmelling, (Laurie) Madison Tuttle and not pictured, (Kate) Director Rebecca Havely.
Cast from left to right (Jack) Leonard Webber, (Eugene) Trevor Carpenter, (Aunt Blanche) Shelly Sheckler, (Nora) Elizabeth Schmelling, (Laurie) Madison Tuttle and not pictured, (Kate) Director Rebecca Havely.

“Brighton Beach Memoirs”, lovingly directed by Desert Theatre League award winning director Rebecca Haveley, is a coming of age comedy set in the Brighton Beach section of Brooklyn that focuses on Eugene Morris Jerome (Trevor Carpenter), a 13 year-old Jewish-American teenager who experiences puberty, sexual awakening, and a search for a sense of identity amid the chaos of growing up in a household full of relatives who are grappling with various crises of their own: unemployment, tight family budgets, and the raising of fatherless children in trying times. It is a time in America where every family member of a workable age is expected to financial contribute and help out his or her family.

It is also a time when young Eugene is trying to deal with his family including his older brother Stanley (Vincent Thomas), his parents Kate and Jack Jerome (Rebecca Haveley and Leonard Weber, respectively), Kate’s sister Blanche (Shelly Sheckler), and her two daughters, the beautiful sixteen year-old Nora (Elizabeth Schmelling), upon whom Eugene has a major crush, and Laurie (Madison Tuttle) who is close to Eugene’s age.  The girls and their mother Blanche, moved in with Jack and Kate after the death of Blanche’s husband.

Rebecca Haveley, as the director has a knack of bringing out the best in her supporting character actors. Elizabeth Schmelling turns in a fine performance as Nora, Eugene’s sixteen year-old cousin.  Nora on the edge of womanhood, is desperately trying spread her almost adult wings in her search for independence and an opportunity to enter the world of show business. Schmelling’s thoughtful and intelligent eye-contact steady in all scenes stands out as does Leonard Weber’s pitch-perfect New York accent of Jack Jerome, along with the understanding of his character as the family Patriarch in a house with four females.  This is the 1930’s remember, it also is a time when Papa’s ruled the roost.  Weber’s take on Jack Jerome is nicely drawn and very appealing.

Another nice performance is delivered by Vincent Thomas as Stanley the older brother.  Despite, a slight case of the opening night jitters, Thomas settled in and his “birds and the bees” scenes with Carpenter’s Eugene was one of the comedy highlights of the evening.  Carpenter appeared to have suffered a slight case those actor’s jitters in his monologues; racing through his lines a little too fast.  However, he settled down later on.  The Eugene Jerome role comes with a lot of pressure.  After all, the young actor is playing Neil Simon as a young man.  Who wouldn’t wobble a bit on opening night?  Haveley, the actress, and Shelly Sheckler as Blanche, and Tuttle as Laurie perform yeoman duty in this tender, warm and funny coming of age comedy.

The set design by Haveley and Ron Stimbert is spot on for a Brooklyn apartment and is chock full of chachka’s thanks to the efforts of prop mistress Sue Kelly and her crew. Costumes by Karl Weimer has the period down cold, right down to the shoes and socks of the cast members.  It’s a nice touch and is appreciated, I’m sure, by the cast.  If Olivier worked from the inside out where the costumes helped him get a better feel for the character, then I think it will work for the St. Joseph actors in this production.

“Brighton Beach Memoirs” performs through November 2, 2014.  Call the box office for tickets and reservations at 760-365-7133.

Old Globe Theatre Presents World Premiere Of Steve Martin Musical

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film Critic
Wayne Alan Wilcox as Jimmy Ray Dobbs and Carmen Cusack as Alice Murphy ~ Photo by Joan Marcus.
Wayne Alan Wilcox as Jimmy Ray Dobbs and Carmen Cusack as Alice Murphy ~ Photo by Joan Marcus.

 

Life is a journey and every journey has a story to tell.  The musical fable now on the stage of the Donald and Darlene Shiley theatre is the new musical “Bright Star”, co-written and composed by Steve Martin and Edie Brickell, and deftly directed by Walter Bobbie.

The immensely multi-talented Steve Martin – actor, playwright, director, musician, producer author – has joined creative forces with Southern songwriter-singer Edie Brickell becoming of one America’s newest and successful musical writing teams in the process.

In “Bright Star” Martin and Brickell take us back to a time when Americans lived in a kinder and  gentler society.  One where Norman Rockwell drawings were the mirror of who and what we were; when rural America held County Fairs, church socials, and actually knew their neighbors no matter how far they lived from one another.

“Bright Star” is a gentle story set in the Blue Ridge Mountains of Thomas Wolfe country, Asheville, North Carolina.  It tells the beguiling story of Billy Cane (A.J. Shively), a young southern soldier, who has just come home from WW II, harboring a passion for writing and a desire to be become another Thomas Wolfe,    He meets Alice Murphy (Carmen Cusack), the brilliant, but prickly, editor of a southern literary journal and together they discover a powerful secret that alters their lives forever. The story flashes forward and backward from 1923 to 1945. It’s also a tale about the timeless trans-formative power of love and hope despite what trials and tribulations life throws at us. It’s not all peaches and cream down south, so it has some dark moments as well.  However, no spoiler alert here.

Wayne Alan Wilcox as Jimmy Ray Dobbs and Carmen Cusack as Alice Murphy ~Photo by Joan Marcus.
Wayne Alan Wilcox as Jimmy Ray Dobbs and Carmen Cusack as Alice Murphy ~Photo by Joan Marcus.

The cast, featuring eleven speaking, and or singing roles is led by Carmen Cusack as Alice, in a sensitive and winning performance; one steeped in the haunting lyrics delivered by a voice that has seen and endured pain.  Cusack’s, husky, smoky delivery is mesmerizing as a young Alice and is commanding as the older Alice the editor of the Literary Southern Journal.

Equally appealing, is Wayne Allen Wilcox as Jimmy Ray, Alice’s erstwhile lover.  Their on- stage chemistry produces nice moments in the numbers “A Night Like This” and “I Had a Vision”.  A. J. Shively as Billy, the character that sets in motion the story of Alice, Jimmy Ray and Billy scores with his numbers “Bright Star”, “Sun’s Gonna Shine”, and in  his duet“ Always Will”, with lovely Hannah Elless portraying Margo Crawford as his sweetheart.  Libby Winters as Dora Murphy, Stephen Lee Anderson as Daddy Murphy, Patti Cohenour as Mama Murphy, and Stephen Bogardus as Daddy Cane, provide solid support.

Wayne Duvall as Mayor Josiah Dobbs, gets his proper due during the curtain call much to the delight of the audience and Duvall himself; no more said on this.  Jeff Hiller as Daryl Ames, the general factotum at the literary journal and Kate Loprest as Lucy Grant an assistant, provide most of the comedy moments in the production.

The nine member ensemble company who sing and dance under the baton of Rob Berman and the choreography of Josh Rhodes includes: Allison Briner, Max Chernin, Leah Horowitz, Joe Jung, Lulu Lloyd, Ashley Robinson, Greg Roderick, Sarah Jane Shanks, and Scott Wakefield who immeasurably enrich the overall musical experience of the production.

A.J. Shively as Billy Cane and Carmen Cusack as Alice Murphy ~ Photo by Joan Marcus.
A.J. Shively as Billy Cane and Carmen Cusack as Alice Murphy ~ Photo by Joan Marcus.

When it comes to the technical credits of a production, the Globe has few equals. “Bright Star” is dominated by the set design and visuals of award-winning and Theatre Hall of Fame Set Designer Eugene Lee whose mobile set pieces and wagons, house both scenes for the actors and provides a “home base” for the musicians who appear on-stage throughout the production.  Lighting Designer Japhy Weideman adds to the dreamy overall quality of the story with his mood-enhancing shafts of light.  Even more creative is the activation of the upstage drop curtain, which has been cut to suggest a silhouette of a mountain range beyond the town. The scenes, when splashed with an evening lighting effect, produce a stunning visual effect.

What separates, at least for me, “Bright Star” from the general run-of-the-mill musicals by today’s young composer/lyricist/ playwrights is the fresh choices of music, instruments, and style of the production.   Martin and Brickell both work as performers in alt-rock, and bluegrass.  Martin has his own bluegrass band – the Steep Canyon Rangers – and banjo-featured renditions and instrumentals are a big part of their success, so it comes as no surprise that bluegrass and the banjo orchestrations are front and center in this heart-warming production.

It’s the music and the orchestrations that propel the story forward, taking the audience along with it.  What Aaron Copland did for “American” music with “Appalachian Spring” and “Rodeo”, Martin and Brickell do for Bluegrass, thanks to some wonderfully creative orchestrations from August Eriksmoen, and musical director Rob Berman.  Walter Bobbie was a wise choice as the director.  He brings many clever directorial touches to this impressive production.

Globe Artistic Director Barry Edelstein is on a roll when it comes to selecting and mounting winning productions. First, “The Winter’s Tale now to “Bright Star”. Let the good times roll.  The production is not only a love valentine to aficionados of bluegrass music, it’s an entertaining evening of musical theatre, despite, perhaps, a song or two too many, but nonetheless is a new musical whose time has come.  Don’t Miss It!.

“Bright Star” runs at San Diego’s Old Globe Theatre through November 2, 2014.

Colossal Win For Mayweather Jr. & Broncos

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The Denver Broncos and Arizona Cardinals sent million-dollar touch downs to Las Vegas Sports books included a $600,000 hit from boxing Champ Floyd Mayweather Jr.

Denver Broncos are 4-1-0, 2nd AFC Western Division Yesterday, MetLife Stadium East Rutherford, New Jersey, Denver, Broncos, 31-17; New York Jets are (1-5).

Broncos Won on a special day thatMoney ManMayweather Jr. won Big money. Floyd bet $815,00 on Broncos to beat the Jets.

The Money, Man Mayweather Jr. collected $1.4 Million the Technology Sports book at M Resort. Vice-President of Sport Jason Simbal confirmed thebet to ESPN. Simbal said,He certainly showed up shortly there after to Cash.Floyd, we are all worried about when and where is your next fight.
Desert Hot Springs Love You, Mayweather Jr. Just like Nat King Cole would say It to his audience.I will See You All Next Time.

Orianthi Concert & After Party To Rock Halloween at Morongo

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Desert Hot Springs- Come One and Come All to see the young talented Rock n’ Roll guitarist double takeConcert and Halloween After PartyStarring Superstar-Guitarist-Singer ”Orianthi” to scare off the roof of Morongo Grand Ballroom, October 31, 2014. Concert begins at 9:00 PM, the trick a treat eveningAfter Partyfor the Halloween Lovers wear your costume’s Fun, Fun.

Orianthi was named one of the top five women guitarists by Guitar Planet magazine. This Special Star: We will share the scariest night out of 2014 with her Desert Fans. Orianthi has worked on tours with Michael Jackson, Carrie Underwood, Adam Lerbert, and Carlos Santana.

Tickets for the Aussie phenoms are on sale. Today for $30 and $40 via Ticketmaster and the Morongo box office.

Orianthi’s After Party is featuring hot, DJ Leo, for the evening to dancing the night away with Dracula’s main woman of the night, Beautiful talented Rock Star Orianthi.

She is looking forward to having fun with her Desert Fans. Just like Nat King Cole would
say: It To His Audience, ”I See You All Next.

Italian nurse arrested over killing 38 patients who irritated her

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Italian police have arrested a nurse suspected of killing at least 38 of her patients because they, or their relatives, were irritating her. The officials also found a selfie, with the nurse giving a thumbs-up in front of a recently deceased patient.

Daniela Poggiali, 42, a hospital nurse was arrested in her native town of Lugo in the northern Italian region of Emilia-Romagna, a province of Ravenna, reported Corriere della Sera, an Italian daily newspaper.

The police suspect her of the murder of an elderly patient, Rosa Calderoni, 78, who was taken to hospital with a routine illness. Tests showed that Calderoni died of an injection of potassium chloride, a medical substance, which can trigger cardiac arrest.

Potassium leaves no traces in the patient’s bloodstream after a few days and it makes it more difficult to investigate the case, the prosecutors told Corriere della Sera.

The investigation revealed that the nurse was not only culpable of Calderoni’s death but also the deaths of at least 38 patients. All of them were reportedly murdered in 2014. At least 200 witnesses gave testimonies against ‘the worst nurse.’

Police officers also found a scandalous selfie of the nurse smiling and giving a thumbs-up in front of a recently deceased patient, Chief Prosecutor Alessandro Mancini told a press conference.

“I can assure you in that in all my professional years of seeing shocking photos, there were few such as these,” added Manchini, adding that the nurse was “unperturbed” during her arrest.

“When we went to arrest her, she was silent, impassive,” he said.

One of the nurse’s colleague spoke of her as a “cold person but always eager to work.”

Other medical personnel at the hospital added that they suspected her of giving the patients doses of laxatives, drugs that facilitate or increase bowel movements, at the end of her shift. They said Poggiali did this to annoy and embarrass them.

“We wondered whether these deaths could be so frequent without anyone doing anything,” a co-worker told Corriere della Sera.