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Court rules journalists can’t keep their sources secret

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A federal appeals court ruled Friday that New York Times journalist James Risen must testify in the trial of a former Central Intelligence Agency officer accused of leaking classified national defense information to the media.

A lower court ruled previously that Risen could protect the source responsible for sharing intelligence about a CIA operation discussed in his writing, but the US Court of Appeals from the Fourth Circuit reversed that decision Friday morning with a 2-1 vote.

The reporter must appear and give testimony just as every other citizen must. We are not at liberty to conclude otherwise,” Chief Judge William Traxler Jr. wrote for the majority opinion.

The appeal panel’s decision came just days after United States Attorney General Eric Holder presented President Barack Obama with a proposal that would re-shape current law as it applies to journalists in order to more greatly ensure that reporters aren’t targeted during investigations unless other routes that exhausted first. That maneuver came on the heels of two highly public recent Justice Department scandals in which the White House was revealed to have subpoenaed the phones records for several Associated Press offices and also the email history of Fox News reporter James Rosen.

Journalists should not be at legal risk for doing their jobs. Our focus must be on those who break the law,” Obama said during a May 23 address after those scandals first surfaced.

With Friday’s ruling, the appeals court weighed whether or not an established precedent would prevent Risen from being asked to disclose the source of his information, but Traxler said, “so long as the subpoena is issued in good faith and is based on a legitimate need of law enforcement, the government need not make any special showing to obtain evidence of criminal conduct from a reporter in a criminal proceeding.”

Next Risen will be expected to testify in the Espionage Act-case against Jeffrey Sterling, a former CIA official accused of disclosing details about a Clinton administration plan to put faulty nuclear weapon blueprints to Iran in an effort to slow down their race to acquiring a nuke. He previously said he’d refuse to speak of his source, however, which would now open up the possibility of being held in contempt of court.

Sterling is one of seven persons accused by President Barack Obama of spying under the Espionage Act, a World War One-era legislation that has previously been used only three times before this administration began targeting leakers.

Judge Roger Gregory, the only justice to vote in the minority, said compelling Risen to testify was a “sad” decision that posed a serious threat to investigative journalism, the Times reported.

Under the majority’s articulation of the reporter’s privilege, or lack thereof, absent a showing of bad faith by the government, a reporter can always be compelled against her will to reveal her confidential sources in a criminal trial,” Gregory wrote. “The majority exalts the interests of the government while unduly trampling those of the press, and in doing so, severely impinges on the press and the free flow of information in our society.”

Judge Traxler disagreed, however, and along with Judge Roger Gregory wrote that even the US Constitution can’t keep Risen from being asked to take the witness stand.

There is no First Amendment testimonial privilege, absolute or qualified, that protects a reporter from being compelled to testify by the prosecution or the defense in criminal proceedings about criminal conduct that the reporter personally witnessed or participated in, absent a showing of bad faith, harassment, or other such non-legitimate motive, even though the reporter promised confidentiality to his source,” Traxler wrote.

Gregg Leslie, the legal defense director for the Reporters Committee for Freedom of the Press, told the Times he viewed the verdict as “disappointing,” and even suggested it was a step-backwards only so few days after Holder’s alleged effort to ensure the privacy of sources and reporters.

“Rosencrantz And Guildenstern Are Dead”

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film Critic

At Old Globe Summer Shakespeare Outdoor Festival

For two gentlemen who are dead, there’s a heck of a talking going on at the world famous Old Globe Theatre during its Shakespeare Summer Festival which is currently in full sway.  One of the main reasons for all the gab going on is that the play is written by the verbal virtuoso of modern playwrights, the brilliant Tom Stoppard – who loves language with lots of words.

John Lavelle as Rosencrantz and Jay Whittaker as Guildenstern in The Old Globe's Shakespeare Festival production of Tom Stoppard's Rosencrantz and Guildenstern Are Dead, directed by Adrian Noble, June 16 - Sept. 26, 2013. Photo by Michael Lamont.
John Lavelle as Rosencrantz and Jay Whittaker as Guildenstern directed by Adrian Noble~Photo by Michael Lamont.

In “Rosencrantz and Guildenstern Are Dead”, Stoppard’s absurdist take on the Bard’s masterpiece “Hamlet”, has been hailed as a master work in itself, with “Hapgood” next, followed by the recent multiple Tony winning play “The Coast of Utopia”.

Sir Tom Stoppard (knighted in 1997) born a Czech, was educated and resides in Britain.  His writing-style has been heavily influenced by Samuel Beckett, king of the absurdist school of playwrights.  So it’s easy to see the connection between Stoppard’s lead characters of Rosencrantz and Guildenstern and those in Beckett’s masterwork “Waiting For Godot”.  Didi and Gogo are mirror images of Rosencrantz and Guildenstern.  Both plays deal with characters looking for the meaning of life, along with someone to explain it to them.  For example, they’re confused from the moment the play begins as to why and where they are going, or what they are doing.  It’s classic comedy of the absurd.

“R & G”, is a play within a play, so to speak, and full of ambiguity.   For some it’s too abstruse, others it’s just obtuse, but for most it’s just a funny intellectual romp and riff on “Hamlet” by the devilishly clever, witty, and sophisticated playwright Tom Stoppard.

Thank goodness we have Festival Artistic Director, the immensely talented Adrian Noble, at the helm to chart a course and navigate all the shoals, rooks, rills, and plot twists that a production such as “R & G” presents to the audience.

Jay Whittaker as Guildenstern (far right) with the cast of The Old Globe's Shakespeare Festival production Photo by Michael Lamont.
Jay Whittaker as Guildenstern (far right) with the cast of The Old Globe’s Shakespeare Festival production Photo by Michael Lamont.

And thank goodness we have two superb acting talents that can translate Stoppard’s intriguing dialogue into an evening of high comedy with a dash of sophistication and elegance.  One is Globe newcomer John Lavelle as the blissful Rosencrantz.  The other is the Globe’s returning star, Jay Whittaker as Guildenstern (so memorable as Mozart in “Amadeus ” and so villainous as Richard III),

Together on stage, their timing and performances are delightful to watch.  I mentioned earlier that Stoppard loves the English language and its richness of vocabulary.  It’s one thing, to read lines, or worse, to fall into the trap of declaiming Shakespeare-style dialogue.  It’s quite another trick to bring the dialogue to life, and at the same time have it make sense to the audience.  It’s a tour de force evening for these two marvelous actors.

Whittaker’s Guildenstern is in a perpetual state of irritation because he’s not in control of his destiny. Lavelle’s Rosencrantz, on the other hand, is blissfully unaware of his fate.  It’s a little like watching a Laurel and Hardy movie, or the famous “baseball routine” from Abbott and Costello, only with far more dire consequences at the conclusion.  Brilliant as the performers are, they don’t bring off this entertaining piece by themselves.

John Lavelle as Rosencrantz, Sherman Howard as The Player and Jay Whittaker as Guildenstern with the cast of The Old Globe's Shakespeare Festival production Photo by Michael Lamont.
John Lavelle as Rosencrantz, Sherman Howard as The Player and Jay Whittaker as Guildenstern with the cast of The Old Globe’s Shakespeare Festival production~ Photo by Michael Lamont.

Thanks to the company assembled by Noble, outstanding performances come from the supporting company of players; most notably from Sherman Howard as The Player, and the leader of an iterant troupe of players (remember, it’s a play-within-a-play just like in “Hamlet”) who knows the true mission of  “R & G”, and the fate that will befall them.  Howard’s take is comical, over-the-top, and a hoot of a performance.  “R & G”, however, being totally clueless, fail to tumble to what’s being said and/or suggested concerning their voyage to England with Prince Hamlet.  Triney Sandoval as the duplicitous and murderous King Claudius delivers another nice and energetic performance, but the evening, most definitely, belongs to Whittaker and Lavelle.

Ralph Funicello’s spare but functional set, especially the boat on the voyage to England, is nicely done and provides “barrels of fun” for the players in the fight scenes.  Alan Burrett’s lighting design once again comes through; enriching the various moods requested by director Noble.  Prepare to bring your thinking cap to this break-through 1966 work from Tom Stoppard.  It will help in keeping you engaged for the full appreciation of the production.

“Rosencrantz and Guildenstern Are Dead” is the third production performed in repertory in this season’s Old Globe Shakespeare Summer Outdoor Festival.  All three productions run through the last week of September.

DHS City Manager Rick Daniels one of three finalists for Clackamas County Administrator

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logoClackamas County is nearing completion of a nationwide search for a County Administrator. The County Administrator manages the employees and activities of the county by implementing the policies and goals of the Board of County Commissioners.

Members of the public are invited to meet the three finalists for the position during a public reception Wednesday, July 17 from 6:30 to 8:30 p.m. at the Abernethy Center, 606 15th St., Oregon City. Light refreshments will be served.

The finalists are:

  • Richard A. Daniels, City Manager, Desert Hot Springs, California.
  • Dana Paul Hlavac, Interim Finance Director, Gila County, Arizona
  • Donald D. Krupp, City Manager/Chief Administrative Officer, Thurston County, Washington.

This is an opportunity to meet these exceptionally qualified candidates.

For more information please contact Tim Heider at (503) 742-5911 ortheider@co.clackamas.or.us

US hit with civil disorder following Zimmerman ‘not guilty’ verdict

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Nationwide protests ignited in US following the acquittal of George Zimmerman, who shot and killed Trayvon Martin, 17, out of apparent self-defense. Demonstrators have been burning flags, smashing windows and police cars.

Follow RT’s LIVE UPDATES on Zimmerman verdict fallout.

People are expressing themselves on the streets from Los Angeles to New York following the ‘not guilty’ decisionhanded down in the court case, which has gripped the nation for the past three weeks.

Read the whole story…

 

Shakespeare’s “Merchant Of Venice” At San Diego’s Old

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film Critic

The Bard of Avon is alive and doing quite well in San Diego these days thank you very much.  Especially now, since the Old Globe’s annual Shakespeare Summer Theatre Festival in the Lowell Davies Outdoor Theatre is in full sway.  Last week I reviewed the opening of  “A Midsummer Night’s Dream”, the first of two Shakespeare productions being presented in repertory this season.

Anderson as Shylock and Krystel Lucas ~ Photo by Michael Lamont
Anderson as Shylock and Krystel Lucas ~ Photo by Michael Lamont

The second production is Shakespeare’s ambivalent and oft misinterpreted story “The Merchant of Venice”, deftly directed by Adrian Noble.  Shakespeare scholars for centuries have debated the true meaning  of the Bard’s play.   For example, is it a corrosive tale of anti-Semitism reflecting the times and culture of 16th century Europe?  Or is it a tragic-comedy created by Shakespeare to bring differing cultures and religions into the softer and more acceptable spotlight of the stage – which was then the only form of public discourse and communication among the uneducated?

Shakespeare’s plays are always densely and richly plotted, with narrative threads that dangle all over the place; requiring neatly tied up ends.  In short, however, the tale might be condensed into a few of paragraphs beginning with … in 16th Century Venice, when a rich merchant Antonio (Donald Carrier) is in need of cash to lend to his best friend Bassanio (Lucas Hall), in order for Bassanio to pursue his romantic ambitions with Portia (Krystel Lucas), the daughter of the Duke of Venice (Charles Janasz), Antonio obtains a 3000 ducats loan from the local Jewish money-lender Shylock (Miles Anderson) with a promise to repay the debt within 30 days.

The cast of The Old Globe's Shakespeare Festival production of The Merchant of Venice, directed by Adrian Noble, June 9 - Sept. 28, 2013. Photo by Michael Lamont.
The cast of The Old Globe’s Shakespeare Festival production of The Merchant of Venice, directed by Adrian Noble, June 9 – Sept. 28, 2013. Photo by Michael Lamont.

When Antonio defaults on his loan, Shylock, who has been publicly insulted and humiliated in the past by Antonio because of his religion, decides to demand a shockingly, gruesome, payment following the court’s decision in his favor.  Shylock delivers the now famous lines about “a pound of Antonio’s flesh” as full repayment.

In between all this money-lending and legal document machinations “The Merchant of Venice” also is a play about young lovers trying to pursue, connect, and marry.  There are plenty of tricky side roads and potholes that all take on the bumpy road of love, and our intrepid characters find most of them.  For example, Shylocks’s daughter Jessica (Winslow Corbett), wants to marry the Venetian christian Lorenzo (Adam Gerber)  – a big No No over the last millennia.  Portia, the Duke’s daughter wants to marry Bassanio.  Gratiano, Bassanio’s friend, wants to marry Nerissa, the servant to Portia, and so on.  But the strictures of society and the authority of the parents are formidable obstacles to overcome in the 16th century.  Comedy is usually present in most of Shakespeare’s canon, but in “The Merchant of Venice”, the story of Shylock and Antonio with its overt anti-Semitic issues always trumps Shakespeare’s love stories that affect the other characters.

Danielle O'Farrell as Portia's Servant, Krystel Lucas as Portia, Robbie Simpson as Balthazar and Nic Few as the Prince of Morocco in The Old Globe's Shakespeare Festival production of The Merchant of Venice, directed by Adrian Noble, June 9 - Sept. 28, 2013. Photo by Michael Lamont.
Danielle O’Farrell as Portia’s Servant, Krystel Lucas as Portia, Robbie Simpson as Balthazar and Nic Few as the Prince of Morocco in The Old Globe’s Shakespeare Festival production of The Merchant of Venice, directed by Adrian Noble, June 9 – Sept. 28, 2013. Photo by Michael Lamont.

Miles Anderson’s portrayal of Shylock is the epitome of the Shylock’s of the past.  Under Noble’s direction, the production has opted for the more traditional interpretation.  Therefore, Shylock remains the heavy.  Lucas’ Portia, despite the text, manages to slip into her portrayal some traits of a 21st century woman.  Carrier’s Antonio, Hall’s Bassanio, John Lavelle’s Lancelot Gobbo, and Ryman Sneed’s Nerissa, along with Janasz’ Duke of Venice, and Triney Sandoval as Gratiano deliver finely judged performances.

In the technical department, Scenic Designer Ralph Funicello, Lighting Designer Alan Burrett, Costume Designer Deidre Clancy, and Sound Designer Dan Moses Schreirer, provide the entire company the support they need to perform their acting magic.

The Old Globe Company of twenty-six performers makes for wonderful individual performances, and for a solid ensemble for all three productions in this season’s outdoor festival.

Players and directors alike over the years have taken liberties with the text and staging, often cutting and trimming it to suit their particular point of view.  This route is often referred to as “freshening the text” in an effort to justify the changes.  However, in the long run, the final arbiters of success concerning this intriguing tale, have always been the audience.  Come and judge for yourself.

19Th Palm Springs International Short Film Festival Wraps

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Jack Lyons Theatre & Film Critic
Jack Lyons Theatre & Film CriticVV

With the 19th Annual Palm Springs International Short Film Festival (ShortFest) now wrapped for 2013, it’s time for the winners to celebrate.  For all the filmmakers who entered films, winners and the not-so-lucky, it’s time to begin the torturous process all over again.  There are over 4,000 worldwide festivals with over 2,000 here in the good old USA.

The process, however, comes with the profession of being a filmmaker.  If one wants to have a successful film career, the “product”, the film, has to be seen as widely as possible.  The more film festivals one enters the greater the chances are for a distribution or a juicy, multi- picture deal becoming a reality.  The Palm Springs ShortFest film festival is the largest in North America and is a must stop for serious filmmakers.

Harold Matzner, Katheleen McInnis and Darryl Macdonald ~photo by Pat Krause
Harold Matzner, Katheleen McInnis and Darryl Macdonald ~photo by Pat Krause

With over 300 films in the festival, I had an opportunity to see about twenty or so early on in the festival.  Now that the closing night program is history, I have a few more “mini-reviews” to share.  It’s always illuminating to see the subject matter that interests our filmmakers of the future.  Granted, some of the entries are calling-cards to get noticed in order to separate from the pack (it’s a hard, rough and tumble, brutally competitive industry geared for those with elephant hides when it comes to rejection.  All actors can relate to this in spades).   Whether it’s a feature length or a short film everything begins with a story and a personal vision.  No story, no vision … no film!  If films do get made without those two components, they usually are not very good films.

In the short film “The Egg Trick” (UK), the great Sir Ian McKellen plays a magician who continually pulls egg after egg out of his top hat and keeps handing them to a young (12 year-old) audience member who has difficulty handling and hanging on to them.  This took seven minutes, however, all the while I couldn’t help wondering what the point of the film was.  Where is the payoff?  I still don’t know.  Ah, the creative muse moves in strange and mysterious ways.

In “Emily” (UK, 12 min.) it looks like a middle age man having a drink in a London coffee bar has hit the jackpot, so to speak, when a beautiful young woman locks eyes with him and gives him that come hither look.  With guarded but interested detachment the man tries to resist her very direct advance. “I’m a married man “ he replys. She counters with the suggestion that they discuss the issue at her flat.  Cut to the bedroom and the ubiquitous roll in the sheets.  In between, we get her rationale as to her “open bed” policy.  The twist, at least for me, is this film is made by a female.  Normally, stories like this are the fantasy of young male directors – ad nauseum.

Eric Kissan and Lisa Ruuin ~photo by Pat Krause
Eric Kissan and Lisa Ruuin ~photo by Pat Krause

“King of the Teds” (UK, 26 min.) Angry and bitter at losing his job at a Northern England bottle factory on account of his age Ron (Tom Jones, yes, that Tom Jones, the singer in his acting debut) and wife Tina (Alison Steadman) are surprised when Nina  (the wonderful Brenda Blethyn) an old flame of Ron’s and friend to both, drops by unannounced from London, after having tracked them down via Facebook.

Jones is surprisingly good in his acting debut.  He’s a little tense, but world-class performers never forget how to portray a character whether singing on stage or in a movie.  Blethyn, of course, is a marvelous actor of wide ranging skills; her Oscar proves that. And Steadman also delivers the goods, in this acting threesome, which is a little gem of a short film.

“Love and Skin” (USA, 27 min.)  This debut film by Virginia Cassavetes, the granddaughter of John Cassavetes and Gena Rowlands, features her father actor Nick Cassavetes in a film about the “skin trade” – films made for the adult movie industry.

It’s unfortunate that a lot of valuable film stock was wasted on a film that didn’t bring anything new to the table in the form of a story.  By the way, this film suffers the same fate as “Emily”.  Someone needs to inform the two young filmmakers that Sex, is not a spectator sport.  Borrring !!!!

“Silk” (USA, 17 min.)  Directed by Catherine Dent, the film offers a message about rigid middle-eastern culture when it bumps heads with the diversity of LA.  In this film about a haggard-looking, middle-aged woman who was forced into an arranged marriage to a brutish older husband at age 11, we see her struggle with the customs of her youth and the opportunities now available to women in the west.

She receives an opportunity to become her own person when her businessman husband succumbs to a heart attack (a few audience members broke into applause when I viewed it).  As a widow, she sells the business and walks away from her old suffocating life.  It’s a simplistic and predictable story, however, for me, it’s the subtext that is the real story being illuminated.  Also, I especially liked the clever device by director Dent in the last scene.  As the wife, played by the excellent Oscar-nominated Iranian actress Shohreh Aghdashloo, walks down the street from her now closed shop and away from her past, she keeps getting younger-looking, and younger-looking.  Nice touch.

Rhys Mitchell, Barclay Lauton and Daniel Leads ~photo by Pat Krause
Rhys Mitchell, Barclay Lauton and Daniel Leads ~photo by Pat Krause

When all was said and done, the following films ended up in the 2013 Festival winner’s circle:  In the Jury Category Awards: Best of the Festival Award “Delicate Gravity” from France; Panavision Grand Jury Award (a camera package valued at $60,000) to “Strange Brothers” from France; Future Filmmaker Award to Erick Schmitt of Germany for “Rhino Full Throttle”; and a special jury mention for the Norwegian film “The Wall” for its grit, humanity, and creativity.

The Audience Awards honored  “Walking the Dogs” from the United Kingdom, as favorite live action short; and “Not Anymore: A story of Revolution” (USA) by Matthew VanDyke, as Audience favorite Documentary short.

The 19th Annual 2013 Short Film Festival was clearly the best attended, by both filmmakers and by ticket buying audiences, to date.  If you find yourself in Palm Springs, CA next June, by all means catch a few days of this exciting film festival.  You won’t be disappointed.