Coachella Valley music lovers are jumping for joy!  Derrik Lewis’ popular Concert Production, “Musical Chairs”, returns to the Valley for an 11^th season.  Impresario Lewis brings his creative team and a host of star performers to the stage of the Indian Wells Theater, in Palm Desert for a two-performance-only engagement on Wednesday, February 29^th at 2:30 pm, and again at 7 pm.  I had the good fortune of catching Lewis on his cel phone between rehearsals and technical preparations for his upcoming show.

JL/DLN:  Does your “Polka Dots and Moonbeams: The music of Jimmy Van Heusen”, show signal the return of your popular “Musical Chairs” series?

DL:  “I certainly hope so.  We’ve been on hiatus from the Palm Springs area for two years, and to be honest, I’m raring to get back to serving our loyal patrons and fans with this fabulous production at the beautiful Indian Wells Theater, in Palm Desert.”

JL:  Over the years you have presented many, many, star performers in your shows.  Who will be performing in this production?

DL:  “There are returning performers our audiences will fondly remember and I’ve added a few new and very talented individuals for this engagement.  Loyal patrons will be happy to hear that Richard Leibell, Darci Daniels, Francesca Amari, Michael Holmes, the singing group Desert Blend, Deryl Jon Bair, Diane Burt, Joel Baker, Theresa Dann, Julia Olsen-Rodriquez, Jose Gonzales, along with my newest discovery Patrick Arendall, make up this very talented group of thirteen professional performers.  And, I’m thrilled to be able to perform onstage with them”.

JL:  With a large group such as this, and with some of the performers working at various venues in LA, Orange County, and the Coachella Valley, how difficult is it for a producer to corral such a talented group and bring them together for just two performances?

DL:  “The casting part is comparatively easy.  It’s the rehearsal schedules, that must be coordinated, that are the nightmares.  Hardly any of this cast has worked together, but most know one another or each other’s work.  In addition, some cast members are currently working in other shows.” 

JL:  How much preparation goes into producing a ‘Musical Chairs’ production like this tribute to composer Jimmy Van Heusen?

DL:  “I started working on this show six months ago.  Putting together a Musical Chairs show is a little bit like an Army general mapping out his battle plans.  I set my cast.  Then I send them their various rehearsal schedules.  Fortunately, they are all professionals in every sense, so I know that they know what to do and when.  We usually run the technical rehearsals (at the Indian Wells Theater) three or four days before the performance”.

JL:  Do you or the guest artists select the songs and numbers they will perform?

DL:  “I select all of the material.  For this show there are more than thirty songs and numbers.  I usually begin by selecting a composer and his or her material that I want to feature.  I research the composer’s canon of work, and begin selecting and discarding until I have an ‘A List’ of some fifty songs.  Then I begin the winnowing process all over again until I arrive at the twenty or thirty best songs, and we go from there.”

JL:  I can see why six months lead-time is needed.  How many musicians will accompany the singers?

DL:   We will have a four-piece band on stage for accompaniment, Don Rice on Saxophone, Jeff Stover on Bass, Andy Fraga, Jr, on Drums, and myself on piano.

 Frankly, I can’t wait for February 29 to get here and for the show to begin.  However, I want to mention how proud I am of the ‘Musical Chairs’ scholarship program over the years.  This year we will, once again, give out two scholarships to deserving honorees.  One scholarship will go to the Lion’s Pride Chamber Singers, of Cathedral City High School who are going to Carnegie Hall, in New York City.  Our donation will help defray the group’s cost while in New York.  The other scholarship goes to Noah Yaghoubian, the brilliant piano prodigy, who will perform, here in the desert, in April at the Indian Wells Theater.  His concert is entitled  ‘I Love A Piano’.”

JL:  I want to thank you for giving us your time for this interview; especially at this very busy time in your schedule.

DL:  “Your very welcome.  It was my pleasure”.

    You won’t want to miss the return of “Musical Chairs”.  For ticket information and reservations for the show at the Indian Wells Theater call 760-883-1800.  There are two additional special preview performances.  One is at the Shenandoah Springs Room, at Tri Palms Estates, on February 26^th at 3 pm.  Call for information at 760-343-3497. 

     The other is being performed at the Mizell Senior Center, in Palm Springs on Monday, February 27^th at 7 pm.  Musical Chairs and the Mizell Senior Center have partnered with one another to present the “Polka Dots and Moonbeams: The songs of Jimmy Van Heusen” show to all Valley residents.  Call the Mizell Senior Center for their preview ticket information at 760-323-5689. 

By Lanny Davis

To watch four hours of the so-called documentary on the eight years of the Clinton presidency gave me the sensation of a report about a glass of water that is 75 percent full and 25 percent empty.

The PBS presentation, I am guessing, spent 75 percent of the four hours reporting on 25 percent of the story, i.e., the issue of “scandal” in the Clinton presidency, omitting the substance and policy achievements of the Clinton presidency, i.e., issues that affected the lives of most Americans and that they care about most.

But the problem with last week’s presentation (which can be viewed in full at pbs.org/wgbh/americanexperience/ — click the “All Films” tab) wasn’t just my view of disproportional emphasis on the “scandals” versus the substance. It was about accuracy.

The writers and producers simply got it wrong. They failed to report the fact that every single “scandal” that so preoccupied the media, the punditry and partisan Republicans over the eight years — save for the final one, the Lewinsky matter — was 100 percent bogus, rabbit holes seeking to prove wrongdoing by the Clintons and leading nowhere.

Here’s a fact omitted from the four-hour “documentary” (I put quotation marks around the word because normally that word is used when there is accuracy, but that is not the case here):

Over the eight years of the Clinton presidency, and eight independent counsels who collectively spent over $116 million investigating President and Mrs. Clinton (over $50 million of which was Kenneth Starr on the rabbit hole called Whitewater), five Cabinet secretaries and two senior administration officials, there was not a single conviction of any administration official for conduct that occurred during the president’s time in office.

Here’s another fact about the “scandal” that led to everything bad — Whitewater: Despite all the headlines and thousands of column inches, especially in The Washington Post and The New York Times, and breathless TV coverage on broadcast networks and cable news, leading to the decision of President Clinton to appoint an independent counsel, ultimately leading to the appointment of Starr, who spent approximately $50 million — at the end, Starr announced that no criminal charges would be filed against either President or Mrs. Clinton. None.

Even when Starr’s successor, Robert Ray, finally imposed a penalty on President Clinton, it was about his false-deposition testimony in the Paula Jones case, not about Whitewater.

And the penalty was a civil one, not a criminal one, for testifying falsely under oath in a civil deposition (a deposition, I must add, in a civil case that was ultimately thrown out of court as being so frivolous it could be decided on “summary judgment” without a trial).

As to the Lewinsky matter, which took up at least half of the second two-hour segment, Clinton was not truthful about a personal relationship that embarrassed him and for which ultimately he suffered great pain and humiliation, apologized to his wife, friends and the American people, and asked to be forgiven as a sinner with personal weaknesses.

That being said, let us not forget that had the scandal machine that existed in the 1990s existed in the 1790s: Alexander Hamilton’s affair with a married woman and his payment of hush money to her and her husband would have ended his career; Thomas Jefferson’s affair with a slave and his fathering at least one, if not many children out of wedlock would have deprived him of the presidency in 1800; and what would have happened to Franklin Roosevelt, Dwight Eisenhower, John Kennedy and other presidents who allegedly had extramarital relationship(s) had they been subjected to this media-partisan scandal machine?

Of course the impeachment vote needed to be included, but again, it seemed to lack perspective and facts. Unreported was the fact that the impeachment vote of President Clinton was done by a lame-duck House, with the difference in two counts succeeding votes cast by defeated incumbents. And the vote in the Senate was a dramatic repudiation of the House Republicans — out of 55 Republicans, only 45 voted for one count, and 50 (less than a majority) voted for the second.

Maybe PBS would argue there wasn’t enough time? But there was enough time for an interview of Lucianne Goldberg, the individual who egged Linda Tripp on to secretly tape Lewinsky’s conversations, when Lewinsky, a frail and vulnerable young woman, was trusting and confiding in Tripp. And PBS decided to use a clip of Goldberg describing why “we hated” Hillary Clinton — something about her being too “pushy” and that she “couldn’t decide on her hair.”

Yes, Lucianne Goldberg on a PBS documentary on Hillary Clinton’s hair.

And what did the PBS producers and writers decide to de-emphasize or entirely omit?

Only one mention of 22 million jobs created during the Clinton presidency — a 60-second or so interview of then-Treasury Secretary Robert Rubin.

No mention (as far as I can remember) of Clinton inheriting a $300 million deficit and converting it, eight years later, into a $1 trillion surplus.

Only passing reference to welfare reform — which has proven over time to have benefited the poor dependent on welfare more than anyone else — and even that reference was framed by emphasizing that liberal leaders had resigned from his administration in protest.

And no reference (again, as far as I can remember) to the American people’s verdict on all the so-called scandals over the eight years of the Clinton presidency, including the tragic Lewinsky matter.

That verdict was quantifiable and dramatic: On his last day in office, Clinton had a 65 percent approval rating, one of the highest for a second-term president since polling was invented.

The American people got it: While they disapproved of Clinton’s personal conduct, what was far more important was the good job he had done improving their lives.

Should PBS have thought about that verdict in determining the proportion of time to devote to “scandal,” especially knowing that they were almost all bogus, versus substance and issues that led to the 65 percent approval rating?

I would have thought so — since it is, after all, PBS, not the E! network. At least I thought so.

How sad. How unfortunate, in my view, for PBS’s reputation and the integrity of its “American Perspective” series on the presidency.

And how unfair to Bill and Hillary Clinton.

(Lanny Davis is the principal in the Washington, D.C., law firm of Lanny J. Davis & Associates, which specializes in strategic crisis management. He served as President Clinton’s Special Counsel in 1996-98.)

Due to this wild new invention called The Internet, Monday afternoon saw the early release (a leak, if you will) of the much-anticipated 2012 Sports Illustrated Swimsuit Issue cover, revealing that as expected, Kate Upton is this year’s chosen cover model. Congrats, Kate!

But as per tradition, the rest of the models were kept under wraps until Monday night’s “Late Show with David Letterman,” when ten of the 21 chosen women graced the stage to present Letterman’s Top Ten: “Top Ten Reasons This Year’s ‘Sports Illustrated’ Swimsuit Issue Is The Best One Ever.”

Announcing the ten reasons:
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